This is a large carving of superior quality Asian tusk material, made from one solid mass. The piece is cream-gold in color with variations occurring over the surface as interruptions in the pattern where the layers meet to form circular, oval and waving lines and masses, such as the marks over the knees. Stippling of the surface serves for the shorn hair and beard. The uncolored pristine ivory is well carved with plenty of undercutting, which displays the artist’s skill in realizing the three dimensionality of the design. The high hand polished surface reflects light softly, with depth and translucence.

In theory it ought to be possible to identify Lohan by their attributes and postures; in reality this is not so easy. Artists have taken many liberties over time and it is often difficult or impossible to identify such a figure with certainty. Although there are only eighteen Lohan, their appearances vary and their attributes are often altered and/or unrepresented. This Lohan is Fu-Hoa, who has been identified as ringing a bell, though beyond that we have no way of knowing him. He is seen here as a mendicant wearing simple garments and accompanied by two dogs, one of whom is partially hidden in the folds of his robe, the other jumping down from his lap. The _expression on the finely carved face is cheerful, the mouth open perhaps to sing., with tongue and teeth visible. Although the features are vigorous the heavy eyebrows are attributes of age. The hands have been carved expressively, with long fingers arched protectively over the dog. --RW